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The big black-and-white quilt top sat folded on the shelf and was occasionally flapped as a sample in a class. Then I decided to ask my friend Laurie Mayo to
machine-quilt it. I have never been happier with the results. For backing I chose the big black-and-white woven plaid from the Peppered Plaids I did for StudioE Fabrics and the lime green thread she used showed to wonderful effect against the neutral geometric. Laurie had fun stitching huge feathers and tendrils. There's some stippling stitching in the quilt but it's black-on-black and hardly visible.
The quilt's batting (filling) is wool, maybe not the first choice of many folks but I think it's super. Wool batting tends to hold its loft and not crease as much as cotton does when the quilt's been folded for a long time. The final step was binding. I cut about 350" of 2-and-a-half inch wide bias strips from the black Chrysanthemum fabric from the Town & Country line.
Mary Frankle did a fine job of binding it, half by machine and half by hand.
I named the quilt Star to the Fourth Power. It's a good sleeper (I always test my quilts on my own bed) and has the Memo 'paw of approval.' Memo is my cat and she always asks permission when getting into my lap. She was surprised by the black and white quilt's slightly puffy feeling and did her "making muffins" thing for some time before settling.
Sometimes I put away a quilt top and think, "I need to hand quilt this one-" but Star to the Fourth Power said, "Get me done-NOW!"